Rap is Bootstraps Music – with @OReillyFactor , @CeeLoGreen, @Spotify, @JayZ , @GovMikeHuckabee and other odd bedfellows

In the wake of Mitt Romney’s electoral loss to President Obama on Tuesday, conservative pundits, politicians and power players have been asking themselves and each other what went wrong. According to Dylan Byers’s recent feature on POLITICO, the right is playing a mega round of blame game, with a few possible scapegoats. Moderates put the far-right at fault for alienating voters with extreme rhetoric; the far right blame moderates and Romney himself for failing to persuasively represent conservative values.

Far-right conservatives like Bill O’Reilly suggest that conservatives don’t need to change their message but refine their voice in a way that awakens the electorate to its wrongheaded approach to government. On Tuesday, as Obama’s win became clear, O’Reilly presented this view on FOX news: “The voters, many of them, feel that the economic system is stacked against them and they want stuff….You are going to see a tremendous Hispanic vote for President Obama. Overwhelming black vote for President Obama. And women will probably break President Obama’s way. People feel that they are entitled to things and which candidate, between the two, is going to give them things?” (qtd in Byers).

Efforts to characterize President Obama as the “food-stamp president” have been decried as an extension of the Southern Strategy, that is, a coded effort to stoke white racist fears about the black electorate by subtly demonizing black Americans as takers, not doers. However, O’Reilly’s comments on election night suggest that he’s fully internalized his party’s strategery: he believes that Latinos, African-Americans, and women are all takers: “they want stuff,” and President Obama is the candidate who “is going to give them things.”

If, like me, you are a person who listens to and thinks about rap music a lot, you may be able to anticipate the argument I want to make right now: that rap espouses a do-it-yourself, take nothing from no one, nose-to-the-grindstone attitude about work–that is, a conservative attitude about work–and in its discussions of hustling and getting by reveals that people of color keep ending up on the socioeconomic bottom not because they’re lazy but because of institutional and structural prejudices that keep them out of jobs, out of neighborhoods with better schools, in jail for longer for the same crime, and so on.

To be honest, I’m way too busy to write the post right now this argument deserves. But here are some texts I’m thinking about:

Jay-Z’s book Decoded, which says that “hustling is the ultimate metaphor for the basic human struggles : the struggle to survive and resist, the struggle to win and to make sense of it all” (18).

“Get By” by Talib Kweli

“We Don’t Care” by Kanye West – “Cause ain’t no tuition for having no ambition/ and ain’t no loans for sittin yo’ ass at home/So we forced to sell crack, rap, and get a job/ You gotta do somethin, man, yo ass is grown!”

“Git Up, Git Out, Git Something” by Outkast ft. Goodie Mob

Michal Denzal Smith’s How Jay-Z Inspired a Generation of Hustlers

Jeremiah Goulka’s “Confessions of a Former Republican”

So many rap songs belong in this argument–I started thinking about last week, after my advanced class listened to Outkast’s “Git Up,” which features four 24-line verses each by a different rapper and each with a very different picture of what it means to “git something.” As we worked through this song in class, it became clear that while the chorus embodies a distant voice (something like O’Reilly’s) telling these young black men to “git up, git out and git something/How will you make it if you never even try,” each verse is a defense from men trying to do just that, and the challenges and struggles they face. Cee-Lo argues at this voice trying to box him in: “I try to be the man I’m ‘posed to be/But negativity is all you seem to ever see.” In the universe Cee-Lo depicts, no options are open to him, yet he’s characterized as negative. He concisely depicts the lure of the drug trade in a universe with few options:

Cuz every job I get is cruel and demeanin’

Sick of takin’ trash out and toilet bowl cleanin’

But I’m also sick and tired of strugglin’

I never ever thought I’d have to resort to drug smugglin’ (Outkast)

For Cee-Lo, “drug smugglin'” is a resort; the first choice was a series of “cruel and demeanin'” menial jobs that still left him “strugglin. ”

It’s ironic that while thugged out rap images have allowed pundits to criminalize young men of color, the lyrics behind these pictures actually promote hard work that shifts into the underground economy when legal options become unavailable. In that same POLITICO piece, Mike Huckabee had this to say: “The real conservative policy is attractive to minorities. Our problem isn’t the product, it’s the box we put it in. Our message should not be ‘tailored’ to a specific demographic group, but presented to empower the individual American, whatever the color, gender or ethnicity.”  In fact, conservatives’ message of hard work still holds sway over most Americans–I know I believe in money paid for hard work put in. The problem is the right’s refusal to recognize that there are factors that actually prohibit their political norms from taking place: hard work isn’t paying off like your system says it’s supposed to. If this is interesting to you, (it might be if you’re still with me) definitely check out Goulka’s piece, above. He writes, “As a retired African-American general in the Marine Corps said to me after I told him my story, ‘No one has to explain institutional racism to a black man.’” But some folks still haven’t heard the message.

P.S. SPOTIFY POSTSCRIPT

started using spotify, like it a lot, have some things to say about it:

– how do I know what music I like if I don’t own any music? puts this new pressure on my brain to be aware of all the musics I might want to listen to, instead of knowing that I’m limited to (and pre-curated by) whatever I already own.

– am I ever going to buy an MP3 again? probably not. but i might buy more records.

– interesting how the ad experience is so clearly designed to irritate. Unlike tv and radio ads, which are like, “Hey! No interruption here! Just a short narrative to persuade you to buy something!” spotify ads are all “HEY DON’T I SUCK? DOESN’T THIS AD TOTALLY SUCK RIGHT NOW? YOU KNOW, IF YOU LAID DOWN SOME GODDAMNED DOLLARS YOU WOULDN’T HAVE TO LISTEN TO THIS ANNOYING SHIT RIGHT NOW, YOU PIRATING CHEAPSKATE! JUST SAYIN!” You know?

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