A Tough Love: “Beyoncé,” Mutuality, and the Dirty South

In a previous post, I discussed some of the lyrics on R. Kelly’s new album, “Black Panties,” alongside the words of Archbishop of Canterbury Rowan Williams in his essay “The Body’s Grace.” Looking at the lyrics to “Marry the Pussy” alongside similar lyrics in songs like Robin Thicke’s “Blurred Lines” and Miguel’s “How Many Drinks,” I noticed a similar ability to disguise male desire and male need in the trappings of celebrating women. Each of these three songs is about what a male agent wants, and each of these three songs denies or obscures the agency of the women they’re sung about or to. But in making women (or women’s body parts) the objects of desire, these songs lull critics into thinking they are pro women, so that Jezebel calls “Marry the Pussy” a “magnificent ode to pussy,” and another source I can’t find calls rapist R. Kelly’s album “sex-positive.”

still from "No Angel" -- Bey's homage to  Houston

still from “No Angel” — Bey’s homage to Houston

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