Works Cited

Film

Eastwood, Clint. Gran Torino. Warner Bros., 2008.

Fox, Louis. “The Story of Cosmetics: with Annie Leonard.” Free Range Studios, 2010. http://www.storyofstuff.org

Lang, Walter. The King and I. Twentieth Century Fox Film Corporation, 1956.

Lee, Spike. School Daze. 40 Acres and a Mule Filmworks and Columbia Pictures, 1988.

Romero, George A. Night of the Living Dead. Image Ten et al, 1968.

Stilson, Jeff. Good Hair. Chris Rock Entertainment and HBO Films, 2009.

Music

Eric B. and Rakim. Paid in Full. Fourth & Bway / Pgd (Island), 1987. Vinyl.

Hill, Lauryn. MTV Unplugged No. 2.0. Sony, 2002.  CD [Live].

Jay-Z. The Black Album. Roc-a-Fella/Def Jam, 2003. CD.

Lil’ Wayne. Tha Carter IV. Young Money Entertainment/Cash Money Records/Universal Republic Records, 2011. CD.

Mos Def. Black on Both Sides. Rawkus/Priority, 1999. CD.

Nas. Untitled. Def Jam, 2004. CD.

The Roots. Things Fall Apart. MCA, 1999. CD.

West, Kanye. The College Dropout. Roc-A-Fella Records, 2004. CD.

Print

Aaron, Jason and R. M. Guerra. SCALPED. Vertigo. March 2007-present.

Achebe, Chinua. “The African Writer and the English Language.” Morning Yet on Creation Day: Essays. Anchor Press (1975): New York.

Things Fall Apart. Anchor Books (1994): New York.

Baldwin, James. The Fire Next Time. Vintage International (1993): New York. (originally published 1962)

Brown, Cecil. Dude, Where’s My Black Studies Department? The Disappearance of Black AMericans from Our Universities. North Atlantic Books (2007): Berkeley.

The Life and Loves of Mr. Jiveass Nigger. Farrar, Strauss and Giroux (1969): New York.

Chang, Jeff. Can’t Stop, Won’t Stop: A History of the Hip-Hop Generation. Picador (2005): New York.

Cone, James H. The Spirituals and the Blues: An Interpretation. Orbis Books (2009): Maryknoll, New York. (originally published 1972)

Ellison, Ralph. Invisible Man. Vintage International (1995): New York.

Fadiman, Anne. The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures. Farrar, Strous and Giroux (1997): New York.

Gates, Jr., Henry Louis. The Signifying Monkey: a theory of African-American literary criticism. Oxford University Press (1989): New York.

Judy, R.A.T. “On the Question of Nigga Authenticity.” That’s the Joint! The Hip-Hop Studies Reader. Ed. Forman and Neal. 2nd ed. Routledge (2012): New York.

McGruder, Aaron. The Boondocks: Because I Know You Don’t Read the Newspapers. Andrews McMeel Publishing (2000): Kansas City.

Parmar, Priya. Knowledge Reigns Supreme: The Critical Pedagogy of Hip Hop Activist KRS-ONE. Sense Publishers (2009): Rotterdam.

Paz, Octavio. The Labyrinth of Solitude: Life and Thought in Mexico. Trans. Lysander Kemp. Grove Press, Inc. (1961): New York.

Plaskow, Judith. Sex, Sin and Grace: Women’s Experience in the Theologies of Reinhold Niebuhr and Paul Tillich. University Press of America (1980): Washington, D.C.

Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown (1994): Wesleyan University Press.

X, Malcolm and Alex Haley. The Autobiography of Malcolm X: As Told to Alex Haley. Ballantine Books (1985): New York. (originally published in 1965)

Twitter Feeds, Blogs and Blog Posts

“Defining the Digital Humanities.” CUNY Academic Commons Wiki. http://commons.gc.cuny.edu/wiki/index.php/Welcome_to_the_Academic_Commons_Wiki. Retrieved 1/4/2012 from http://commons.gc.cuny.edu/wiki/index.php/Defining_the_Digital_Humanities

Forster, Chris. “I’m Chris. Where Am I Wrong?” HASTAC Blogs. hastac.org/blogs. Retrieved 1/4/2012 from http://hastac.org/blogs/cforster/im-chris-where-am-i-wrong

Glaude, Jr.,  Eddie S. @ESGlaude. http://www.twitter.com/esglaude

hampton, dream. @dreamhampton. http://www.twitter.com/dreamhampton

Neal, Mark Anthony. New Black Man. Blog. http://newblackman.blogspot.com/

– @NewBlackMan. http://www.twitter.com/NewBlackMan

Perry, Imani. @ImaniPerry. http://www.twitter.com/ImaniPerry

Svensson, Patrick. “The Landscape of Digital Humanities.” Digital Humanities Quarterly. Summer 2010 (4:1). Retrieved 1/4/2012 from http://digitalhumanities.org/dhq/vol/4/1/000080/000080.html

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