#WeCantStop Appropriating Blackness: A Bibliography

Y’all, it is a bull market out there for appropriating Black culture. Sell, sell, sell, ’cause folks are buying. You got twerkers on hand? Set them around a white lady and open the auction. Miley was just the beginning. It’s a bonanza out there.

a still from Miley's video "We Can't Stop," via vimeo.com

a still from Miley’s video “We Can’t Stop,” via vimeo.com

For a few months now people have been asking me when I’m gonna blog about Miley Cyrus–her VMAs performance, her recent music videos, her appropriation of ratchet cultural signifiers–it all seemed so in my cultural wheelhouse. There was only one thing standing in my way: I don’t like Miley Cyrus, and I don’t like her music. No special offense, really, to Miley. It’s just, I’m a busy lady, so when I blog about something it’s because, even if I find it problematic, I am attracted to the music or the star enough to spend my free time researching, listening, and writing around them. Continue reading

Advertisements

“That’s Retarded, Sir” : Miley Cyrus v. Rachel Jeantel

via popdirt.com

via popdirt.com

Jezebel had a nice piece on Miley’s twerking and cultural appropriation: On Miley Cyrus, Ratchet Culture and Accessorizing With Black People. The title is pretty self-explanatory, but the idea is that Cyrus’s new video and general new ‘tude are a disrespectful appropriation of black southern culture, a move rooted in Cyrus’s privilege to “accessorise” with minority accoutrements but still move in privileged spaces with money and clout. Continue reading