TV, Politics, Race: What I’ve Been Reading, and Planning to Write

As usual, I’ve had the same 15 tabs open for 3 weeks, waiting…for what? For this blog post. I have trouble closing the links I’ve already read that seem so important I want to share them. Of course, you all have plenty to read already, so I think I’m just a digital hoarder.

I also have a nice long list on my phone of all the blog posts I want to write. I want to write about Jane the Virgin and Fresh Off the Boat and how amazing it is to see TV shows featuring immigrant families who don’t speak monolingually in their homes or on the shows: both shows feature multilingual families from Venezuela and Taiwan, respectively, where a grandmother always speaks in the home country’s language (Spanish and Mandarin) while their children and grandchildren respond in English, and everyone can understand each other. On Fresh Off the Boat, the middle generation–children of grandma and parents of grandkids–also switch into Mandarin when they don’t want people around them to understand. (For my rhet/compers out there, Cue: Canagarajah.) Large swaths of the hiphop musical melodrama Empire is also written in AAVE; I would love to see one of their scripts. How are they formatting and editing their dialogue?

Meanwhile, Fresh Off the Boat and Broad City are also showcasing the appropriation of black language by Asian-American kids and white women, respectively; recent episodes of both featured leads in t-shirts of rappers. Acutally, FOTB has its lead, Eddie, wearing a t-shirt with a rapper’s face almost constantly. There is so much richness on television for language scholars to talk about right now. And FOTB is explicitly decentering whiteness in a way I’ve never seen before – usually the white characters on the show sound like delusional crazy people – and Jane the Virgin treated migrants’ undocumented status in a way that was humane and a part of a storyline just like it’s a part of people’s lives.

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I also wanted to write a post about how I wish Spotify would stop spending all its engineers’ energy trying to predict what music I like, and instead do a 1000% better job saving, categorizing, and making accessible to me all the music I’ve already been listening to, so I can find my favorite albums and artist as easily as if this was my music library.

I have also been thinking about how much time I spend as a teacher in the classroom doing managerial work vs. actual teaching –things like giving and reviewing assignments, talking about how things will be graded, coordinating who is giving a presentation on what day, giving students instructions for in-class activities, and so forth. This question was spurned by my reading of Donna Strickland’s The Managerial Unconscious in the History of Composition Studies, which had me thinking, how much of the managerialism of the contemporary writing program seeps into the classroom? How much of teaching is actually managing?

Anyway, here’s what I’ve been reading…

Jeff Chang’s “From Basquiat to Jay-Z: How the Art World Came to Fully Embrace Hip-Hop,” in The Guardian

francine j. harris’s “Civilly Unseen” in the Blue Shift Journal

Julianne Hing’s “Fresh Off the Boat’s Rocky Relationship with Hip-Hop” on Colorlines

Michael S. Schmidt’s “F.B.I. Director Speaks Out on Race and Police Bias” in the New York Times

Isabel Shepherd’s “Examining the Lasting Effects of Wilmington’s 1898 Coup D’etat” on HQR News

“Security Researcher Christopher Soghoian on How to Use a Cellphone Without Being Spied On” on Democracy Now!

Kirby Wilson’s “Lack of Diversity Leads to Burden on Professors of Color” in The Chronicle

Richard Florida’s “A Painstaking New Study Reveals the Persistence of U.S. Racial Segregation” on The Atlantic’s Citylab

Ben Sisario’s “Industry Issues Intrude in ‘Blurred Lines’ Case” in the New York Times

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Katching Up With The Kardashians…Season 1

Last night I told myself I would post every day for 10 work days, so I’ll start my POWER 10 with a confession…

I watched the first season of Keeping Up With The Kardashians last week. (They’re 21 minute episodes, in my defense!) I have become a total stan for Kimye in the last two years and thought watching Kimmy K’s show would be a fun way to indulge my new obsession even further.

via celebuzz.com

via celebuzz.com

I also imagined that the 9 seasons of KUWTK would keep me company for much of my second year of my PhD program, which starts in August–but given that I’m well into the second season now, I’ll be lucky if this lasts me through the end of 2014.

The first season was shot and debuted in 2007, right after Kim’s sex tape came out, and seems to depict a family at a crossroads: do we leverage our daughter’s smutty 15-minutes of fame into something bigger, or do we keep our heads down and try to stay “classy,” a word that hilariously and apparently earnestly recurs during the first season.

Apparent in that effort are some early fissures in Kris and Bruce Jenner’s marriage, which now seem prophetic. But who knows if they were always there or if the terms of Kardashian fame were itself the problem. In the first season, Kris lies repeatedly to Bruce, and always because of the girls’ sexualized business arrangements: once to cover their trip to Puerto Vallarta to pose for Girls Gone Wild’s swimwear line, and another time to hide that Kim may be posing for Playboy. But it’s easy to see from Kris’s goading that she knows that selling her sexuality is Kim’s only open path to fame. Kris seems like Kim’s fluffer as she encourages her to strip down for Hef.

One thing’s for sure about the first season: Kim seemed different back then. She had a sense of humor, and potentially a slightly lumpier nose.

This is the first time I’ve ever really watched a non-competition reality show, and so I find myself wracked with the question of scriptedness: did Kris and her daughters really lie to Bruce? did he really just hop on a jet and fly down to them in Mexico? Did these events happen in this order? How much did the producers say? Did they edit out the weird stuff that Khloe and Kourtney must have said to the cameramen?

I guess I”ll never know. But I can’t wait until the girls start wearing skinny jeans.

Veronica Mars and the Bummer Patriarchy

Last night I watched the first episode of Veronica Mars and it blew my mind. I have never felt a need to write an episode recap so badly as I did watching that pilot last night. I mean, holy shit, one of the first shots of the episode is of Veronica cutting a black classmate down from a flagpole to which he’s been duct-taped, naked, her face at about waist-height.

Granted I’ve been studying lynching, but these are loaded opening shots for a girls’ after-school special. Continue reading